Free Essay on Homers Odyssey - Odysseus and Telemachus :: Homer Odyssey Essays

The Odyssey - Odysseus and Telemakhos At the beginning of the book Telemakhos is troubled with the suitors trying to marry his mother. He tries to keep them in line but they are rampant, especially when they're drunk. They kill Odysseus's herd for their own feedings and disrespect the house of Odysseus. So Telemakhos is obliged to search for his father because he is his last and only hope of keeping the suitors away. He is determined to search for his father and must find him at all costs. When Odysseus is stuck on the island of Kalypso, Athena had obliged him to leave the island in search of his home, Ithaka. She tells him of the memories he had there and he remembered how much he had longed for Ithaka. So he was determined to get home. Just like how Telemakhos was determined to find his father. They were destined by the gods to come together. In book 16, it talks about Telemakhos and his father talking to each other planning how they were going to take over the suitors. They talked and talked an d were happy to see each other. When Odysseus told Telemakhos that he wished to stay as a beggar for a little while and get used to the town before he attacks the suitors, Telemakhos didn't feel it was right. He knew that if he were to go into town he would be mocked by the suitors and antagonized by them. He may even be beaten. This shows that Telemakhos cares for Odysseus and his honor. But Odysseus knew that he must be a beggar until it is the right time. "Let your ribs cage up your springing heart, no matter what I suffer, no matter if they pull me by the heels or practice shots at me, to drive me out. Look on, hold down your anger." (16, 326) So Telemakhos had no choice but to agree. "Ah, father, even when danger comes I think you'll find courage in me. I am not scatterbrained." (16, 369) This may greatly affect his honor and maybe create hatred towards the suitors so he will be pumped up and ready to kill the suitors at any time.

The Naturalist Ideas Essay -- Literary Analysis, Societal Structures

Important aspects of naturalism are the ideas that people are essentially animals responding to their basic urges without rational thought, and the insignificance of man to others and nature. In The Jungle, Sinclair portrays Jurgis as a man slowly changing into animal as well as a man whose actions are irrelevant to the rest of the corrupt capitalist world of Chicago in order to show the reader the naturalist ideas of the struggles between man and society. Jurgis's struggle between human thought and animalistic tendencies are evident in several major events in the book. In the beginning of Jurgis's life in Chicago, he can disregard most of the obstacles thrown at him by the corruption of man and keep his rational thinking dominant of his animal-like instincts. However, when Jurgis finds out that Connor has violated, harassed, threatened, and raped his wife Ona, he reached his breaking point. Jurgis was so overwhelmed with rage, he reverted back to his primal instincts and "sunk his teeth into the man's cheek" (153). We again see Jurgis "animal instincts" when he escapes from the city and lives in the countryside from a while. He has given up on being rational and has resorted to use his survival instincts like stealing and scavenging to survive. Sinclair shows us how these instincts will not help us survive in the end. Whenever Jurgis behaves like an animal, he is punished in some kind of way like an animal. When he attacks Co nnor, he is sent to prison and when he is in the rural area, he does not get any money to help him survive. Moreover, Jurgis does everything he can to help his family and himself survive, but regardless of his actions, the corrupt society plows through him without remorse or regret. Jurgis's op... ...te the flawed example of muckraking by The Jungle, the main reason for the use of muckraking was and still is an effective way of revealing the corruption of politics and businesses. Although The Jungle may not have served Sinclair purposes for social reform, it brought reform to the way food is handled. Without the enlightening view of the meat-packing business, even if false, the Meat Inspection Act and the Pure Food and Drug Act may never have been created. We still see examples of muckraking today from Morgan Spurlock's Super Size Me to magazines like People, Time, Cosmopolitan, and National Geographic. Muckraking is one of the few ways that the average person can find out about information quickly and easily. In certain cases, it even connects the nations together in order to fight a common enemy, whether it is political, social, natural, or supernatural.

Last year I did my placement in Cork Simon Communities Outreach project

Last year I did my placement in Cork Simon Communities Outreach project. I really enjoyed this placement and as I had a lot of knowledge on this project I decided to do my Community Development project on the Outreach project. I realised while working on the Outreach team how important the service was because when young people first become involved in street life they do so because they see no other option. Many leave situations of acute family breakdown or violent situations. They may have been exposed to alcoholism, drug addiction, abuse and have lived under the strain of poverty and unemployment. Street life seems to me like an insecure, lonely, frightening and dangerous situation for any person to find himself or herself in. Unfortunately people living on the streets are quickly exposed to alcohol, drugs, crime and prostitution. Many people do not know how to get help and many have lost contact with services. For the most part people who are out of home are not easily identified. They â€Å"hang around† and dress similarly to other people. They have however, no consistent support or care and nowhere they call home. For the most part they are invisible. This is where the Outreach Street Service's importance comes in; The Outreach team has a good understanding of the situation among people on the streets. Outreach contacts people out of home at risk. Outreach befriends people and builds trusting relationships with people. The Outreach team provide information about services provided and the location of these services. Oliver Hoegener created ‘The Yellow Leaflet' which Simon published and the Outreach team always carry these leaflets to give to new people on the streets of Cork. Outreach also puts people in contact with services and all street work is documented. History The Simon Community was established in Ireland in 1969, there are now 4 Simon Communities in the Republic of Ireland; Dublin, Dundalk, Galway and of course Cork which was set up in 1971. The philosophy of the Simon Community is the framework, which guides the community's policies, practice and day-to-day running of its projects. The guiding principles set the parameters within which the staff work and residents live while in the community. The community's philosophy is based on Acceptance, Community, Long-Term Care and Campaigning. The philosophy also embraces and includes, A commitment to justice, sharing, creating space for people, being as democratic as possible, being part of the wider community, providing care, support and solidarity, valuing relationships, encouraging participation, inclusiveness. The community also has a strong voluntary ethos. The community's policy is to: Empower people, to encourage independence, to encourage people to take responsibility, to be inclusive and to facilitate those who wish to tackle any difficulties they may face such as alcohol and drug addictions etc. Change is not a primary focus, though it is facilitated where possible. There is a strong emphasis on Confidentiality in Simon, all matters relating to residents remains confidential and all people involved in Cork Simon Community must bear in mind that all clients have a right to privacy. This enables trusting relationships to be built within and between various members of the community. All workers must respect clients as individuals with the ability to make decisions and changes in their lives, in light of their beliefs and values. The Outreach project is a new project of the Cork Simon Community. Since January 2002, the two Outreach workers (Carmel Moore & Oliver Hoegener) have been doing intensive street work in Cork. The project is targeting ‘rough sleepers' and offers easy access to support and advise on a wide range of issues. One of the main aims of the project is harm reduction and prevention as well as making and maintaining contact with service users on the street. The Outreach team liaise's with other agencies such as Drug and Alcohol Services, the Homeless Adolescent Unit and the other Drug Task Force Projects. Outreach links in with a wide number of other groups in the city e.g. YMCA, Gardai, Southern Health Board, local community groups, youth workers etc. Outreach works in collaboration with the existing Youth Homeless Drug Prevention Project as well as with other Simon projects, such as (1) The shelter; where the Outreach worker and shelter staff can establish times that the outreach team can bring people into the building to gain access to the shelters services. (2) Day centre; again the outreach team works from the day centre in befriending people and building new relationships with ‘rough sleepers'. (3) The Soup run; The nightly soup run meets between 60-80 people each week some are sleeping rough while others are living in the private rented sector or in corporation flats. The Soup Run provides hot meals, blankets, advice and companionship for the homeless. In March 2002 the Outreach team set up a Lunch run, they were aware of the need for a weekend service because places like the Upper Rooms only provide a Monday to Friday service and a lot of Cork's homeless people were dependant solely on the soup run at weekends as their only source of food, similar to the soup run, the lunch run gives out tea, soup, sandwiches and fruit in the evening around the streets of Cork city, I think this was an excellent service to set up because while on placement I did the lunch run and it proved to get very popular after a few weeks of being established, it is only the Outreach workers which do the lunch run. The two Outreach workers work more closely with the Youth Drugs worker and liase with the volunteer co-workers on the nightly soup run. Managed The Crisis Services Manager who is accountable to the director of cork Simon manages outreach. Financed A substantial amount of money required to run the Simon Community on a day-to-day basis is raised by the community itself through voluntary fund-raising such as flag days, church gate collections, Simon shops and sponsored events. The State also contributes to the Simon Communities running costs in the form of rent. While each Simon Community is autonomous and is responsible for financing and running its own projects, all Communities work closely together and collectively form a national federation with the national office in Dublin acting as a resource, servicing and co-ordinating agency. Working together as a national body has many practical advantages and gives expression to that founding principle which states that no one community alone can ever be Simon. Evaluation From working in the Simon Community I do believe that the organisation is a very successful one. From attending weekly meetings where issues like barrings, a residents physical/mental health, issues that occurred in all areas of Cork Simon etc, were being discussed, I realised how complex it was just to run the whole project and how some decisions that were made had such a huge impact on other people e.g. a rough sleeper being barred from the use of all Simons services, these decisions really annoyed the Outreach team because then as the Outreach worker it is your duty to go out on the streets, find this rough sleeper and try to get them into other services. Even though the whole organisation is so complex and controversial you just have to look back at Simon's vision of society where: there is no homelessness, and compassion, respect and empathy are the core of the community's relationships, and justice, equality and social inclusion are central to state policy. Also the mission of the Simon Community to develop preventative strategies that will divert people becoming homeless, to campaign for the right for appropriate accommodation and responsive services for the homeless, to provide quality care, accommodation and services which support and empower people who are homeless, marginalized, vulnerable or socially excluded. I believe that the policy of Simon and the Core Values are very realistic, Simon does not discriminate and in theory the organisation is getting stronger and providing an essential service for the homeless of Cork.

Describe the different forms of disguise and deception that feature in the Twelfth Night

Disguise and deception play significant roles in Shakespeare's romantic comedy Twelfth Night. Shakespeare places emphasis on these somewhat â€Å"wickedness† (A2 S2 L26) traits to somehow create a traditional romantic comedy; where despite the negative ideas of disguise and deceit play a prominent role, love blossoms and a happy ending prevails. The tireless use of these ideas in different forms and guises, which endure throughout the whole play highlights the themes of love, madness and appearance versus reality; where disguise and deceit both take credit for possessing a major responsibility in providing twists, turns and humor in the main and sub-plots. Orsino is the first character introduced to the play. He is the Duke of Illyria and therefore the most powerful character implemented into Shakespeare's play. Upon his arrival to the story, he immediately disguises his ignorance of love by speaking in poetics form to deceive the audience and the characters around him. If music be the food of love, play on† (A1 S1 L1) is promptly contrasted in line 7 â€Å"Enough, no more; ‘Tis not so sweet as it was before†. This contradiction implicates his ignorance of what love is really about. His vocabulary and figurative language, both influenced by poetic speech does well to fool everyone that he is not what he se ems. People would see Orsino as a likeable character that carries the aura that he can achieve anything; he is a self-absorbed man who thinks very highly of himself.What is the difference between a figurative and a literal analogy? But this is obviously not the case as Orsino has been shown to be just like everyone else, even with his power in Illyria, Orsino has his flaws too. Feste also uses his language to disguise aspects of his character. However, contrasting the stance of Orsino, Feste shows his wit and intelligent by smugly playing on words and with the medium of music. An example of Feste's clever play on words was during the conversation he had with Viola who was at the time disguised as Cesario; â€Å"†¦ send thee a beard† (A3 S1 L45). Although everyone had been fooled by Viola in convincing them that the Cesario character is real, Feste (who is the fool) hints that he may know Cesario's true identity. Feste himself does not describe himself as Olivia's fool â€Å"but her corruptor of words† (A3 S1 L37). Indeed it can be viewed that he is only paid to be the fool, to act like a madman with wit; and in actual fact he is the most sane character and intelligent in the play. He shows his intelligent by irrelevantly expressing his words in another language, â€Å"cucus, non facit monachum:† (A1 S5 L53). Feste is the only character wrapped up in all the plots yet keeps an outside perspective of each by showing no emotion in his speech or actions. But in light of this, his emotions are brought to the surface when he entertains people with his music. The realization that Feste is has the most knowledge of love, or what real love is, begin to seep through as he sings. â€Å"What is love? ‘Tis not hereafter, Present mirth hath present laughter:† (A2 S3 L48). Unlike Orsino who believes that everything will work out okay when you fall in love, Feste believes that the future is always uncertain â€Å"What's to come is still unsure† (A2 S3 L50). He also concretes his perspective that love should not wait as we will not be young forever; â€Å"Youth's a stuff will not endure† (A2 S3 L53). Although his character does not show emotions whilst playing his role in each plot; his music, which varies from melancholy ballads to contemplative, express that there is much more to Feste than meets the eye. Feste's past is shrouded in mystery, and elements of his past still live in his music. â€Å"And we'll strive to please you everyday† (A5 S1 L 407) ends the play. Regardless of his past that he disguises through music, Feste feels that his duty now is to make people laugh. He expresses with this idea that our duty in life is to be happy and to make others happy, something he harassed Olivia about in Act1 as she mourned her brother's death. Despite many features of Feste's character that show his has much more depth than what we are led to believe; he also uses disguise and deceit to concrete his role as a fool, a clown who provides humor and entertainment for the audience. â€Å"Sir Topas the curate, who comes to visit Malvolio the lunatic† (A4 S2 L22). Upon learning of Sir Toby and Maria's gulling of Malvolio, Feste decides to join in the fun. He does this by pretending to be someone else when visiting Malvolio, to further his torture and suffering. Malvolio and Feste's turbulent past had been briefly documented when in Act 1 Malvolio says â€Å"I marvel your ladyship takes delight in such a barren rascal† (A1 S5 L81). It's interesting to take into account that Feste is supposed to be the fool of the play, but he doesn't setup the humorous gulling of Malvolio and fails to provide the entertainment and humor Sir Toby Belch and Sir Andrew Aguecheek bring to the play. Instead Feste takes part of the humor only with revenge on his mind and not to provide humor, and relies only on quick plays on words to supply humor. This could be Feste disguising that he is not comfortable with his role in life as the fool. Viola's role in the play is purely based on the ideas of disguise and deceit. She initially deceives everyone by disguising herself as a man, Cesario, in order to serve Orsino, â€Å"For such disguise as haply shall become: The form of my intent† (A1 S3 L54). In doing so she deceives everyone else in the play, with the exception of Feste, and as a result causes confusion among and between the characters and mayhem in the overall play. As a result of her disguise, Olivia and her brother Seabastian, get married as she thought that Sebastian was Cesario, â€Å"would thou'dst be rul'd by me! † (A4 S2 L63). That's an example of confusion resulting from Viola's disguise. Mayhem is caused when the jealous Sir Andrew Aguecheek attacks the tough and skilled Sebastian, assuming he was the soft and timid Cesario. As a result of this attack, Sebastian beats down Sir Andrew Aguecheek and causes mayhem and tension between characters like Olivia and Sir Toby Belch, â€Å"Where manners ne'er were preach'd! Out of my sight! † (A4 S1 48). These are just two examples of confusion and mayhem instigated by Viola's disguise. Other examples include the conversation between Sebastian and Feste, when the latter thought Sebastian was Cesario, â€Å"†¦ ungrid thy strangeness† (A4 S1 L15); and when Antonio thought he was backstabbed by Sebastian, but was in reality talking to a clues Viola, â€Å"Thou hast, Sebastian, done good feature shame† (A3 S4 L375). The many outcomes of Viola's disguise bring entertainment and humor to the audience to add comedy to the romance. In disguising herself as Cesario, Viola falls in love with Orsino to bring the romance aspect to the play, â€Å"Whoo'er I woo, myself would be his wife† (A1 S5 L42). This deceit also intertwines humor and romance, with Olivia falling in love with Cesario causing the humor, and the unspoken love from Viola to Orsino bringing out the romance. Viola is like Feste in the sense that they both play on words; both doing so as a way of showing that there is more to them than what meets the eye. She almost cries out to Orsino by telling giving hints as to her true identity, â€Å"I am all the daughters of my father's house,: And all the brothers too† (A2 S5 L121), often speaking in riddle. She also has an encounter with Feste where she counters his play on words that he may know her identity by saying, â€Å"I am sick for once, [Aside] thought I would not have it grow on my chin† (A3 S1 L47). In countering in a war of wits, she riddles to Feste that she is in fact a woman. Viola's brother Sebastian also manages to have a role in the deceit over his short period of time in the play. His only relationship that occurs throughout the play is with Antonio, the man who saved his life. There are suggestions that Antonio has repressed homosexual feelings for Sebastian that he disguises by pretending to only be his close friend, â€Å"If you will not murder me for your love, let me be your servant† (A2 S1 L34). Sebastian himself lives part of the play in deceit by pretending to know what is going on when he enters the plot when he has no idea. He asks â€Å"Are all the people mad? † (A4 S1 L26). Nevertheless, even though he believes everyone to be mad, he plays along with Olivia who believes he is Cesario, and living in this dream, Sabastian marries her. This serves of the purpose of enhancing the romantic conclusion to the play. Olivia herself is in self-deceit. The mourning over her brother's death is very dramatic, but she just lives the idea of mourning as she feels that this would do the death of her brother justice. However, this mourning does not last long. Feste manages to entertain a mourning Olivia, much to Malvolio's chagrin, â€Å"I marvel your ladyship takes delight in such a barren rascal† (A1 S5 L81). She attempts to disguise all this under a veil, but to no avail as her real personality shone through. Olivia as part of her mourning, promised that no man would see her face â€Å"till seven years' heat† (A1 S1 L26). But regardless of this, falls in love with Cesario, â€Å"Unless, perchance, you come to me again,:To tell me how he takes it† (A1 S5 L285). Olivia is disguising her flirtatious movements towards Cesario by pretending that she only wants her to come back to bear news of Orsino's reaction to her rejection. To further disguise her feelings, and deceive her promise and herself even more, she tells a blatant lie to Malvolio, â€Å": he left this ring behind him,† (A1 S5 L305). Her deceit shows that an esteemed â€Å"virtuous maid† like herself also has flaws. It also provides a lot of humor for the audience, as a woman falling in love with another woman dressed as a man provides entertainment for the audience. â€Å"I marvel your ladyship takes delight in such a barren rascal† (A1 S5 L81). This quote has a lot of deceit attached to it. Malvolio is jealous that Feste can entertain Olivia even when she is mourning. This is because he has feelings for Olivia which is later exposed in the play, â€Å"‘Tis but fortune, all is fortune† (A2 S5 L23), this being his initial belief that Olivia loves him, even before reading the letter from Maria. Malvolio disguises his true colours by being the unlikable Puritan character in the play. In fact, Malvolio's true colours show him to be an arrogant, hypocrite who is even more unlikable than his initial Puritan personality. His arrogance provides humor for the audience as he thinks, â€Å"that all that look on him love him† (A2 S3 L151) and makes him looks stupid. He deceives everyone to believing that he is a Puritan character and deceives Olivia into thinking he is a nice person. However in actuality, Feste is the fool who in reality is the most intelligent and sane character of the play, after mocking Feste, we learn that Malvolio is the opposite. He acts as if he is the most intelligent and sane character of the play when he's really the fool of the play, the character who provides the most humor. He believes Olivia is playing along with his game, when he speaks to her at her level and with added sexual connotations, â€Å"To bed? Ay, sweetheart, and I'll come to thee† (A3 S4 L31). This provides the most humor, as he believes that they are disguising their love and deceiving all the other character when in reality, he is the only person being deceived. He looks like the fool, and the gulling of Malvolio in particular gives the audience added satisfaction because he is such an unlikable character. The mastermind behind the gulling of Malvolio has also disguised aspects of her personality. The others see Maria as jus the maid of Olivia, but as the play moves on we as an audience, and the characters of the play learn that Maria is cunning and more intelligent than what she lets everyone believe. She deceives everyone by masterminding the gulling of Malvolio. She also has self-deceit along with Sir Toby Belch as both have hidden feelings for each other, which they refuse to acknowledge. We know of this because by the end of the play, the two get married. Looking at their relationship throughout the play, Maria is the mother figure who takes care and guides Sir Toby Belch, â€Å"Ay, but you must confine yourself with the modest limits of order† (A1 S3 L8). But we gain knowledge that she is not fulfilling the mother role, but more the role of a wife. Sir Toby Belch is also a scheming character within the play as he deceives Sir Andrew Aguecheek into challenging Cesario to a fight for his own personal entertainment, as both Aguecheek and Cesario are seen as cowards; thus Sir Tovy creating his own sub-plot. Sir Andrew Aguecheek is as a clumsy coward of a knight. However Aguecheek's past is a mystery to the audience, and we have a sense that there is much more depth to Aguecheek than what meets the eye when he says, â€Å"Someone loved me once too†. This shows that Aguecheek has disguised himself to be a clumsy and immature man when in reality he has feelings too, and has a more sensitive side to his character. He also disguises himself to be a brave knight by challenging Cesario to a fight as he feels this would win Olivia's heart. However, as seen through his letter, Aguecheek is a coward who couldn't hurt anyone. â€Å"and God have mercy on one of our souls! He may have mercy on mine,† (A3 S4 L167), Aguecheek provides humor by his supposedly threatening letter. The fact he ends this letter by calling Cesario â€Å"Thu friend† (A3 S4 L 169), shows him to be a nice but gullible man. He is gullible to Sir Toby's instructions and the direction Sir Toby leads him into. The play as a whole is one big disguise. â€Å"An improbable fiction† (A3 S4 L127) is what Fabien describes the play to be. He acts as if the real life situation is like a play, and in essence makes it all a play within a play. The characters share dialogue that expresses what they are trying to say but also has a double meaning, which tells the audience that the play is not real life and is essentially just a play. â€Å"You are now out of your text: but we will draw the curtain and show you the picture† (A1 S5 L235). This is an example of subtly letting the audience realize that they should not be fully wrapped up in the play as it is just a play. This idea coincides with what Olivia is saying in the context of the play as she is letting Viola see her face. The play contains a number of little subtexts to regularly remind the audience that the play is fictional. All these subtexts are disguised within the context in which the character is talking about. There is obviously an inextricable link between both the ideas of deceit and disguise, as when one of the ideas is created, the other promptly follows; as is seen in throughout the play. Twelfth Night is situated in the genre of â€Å"romantic comedy†, and both of which have been built upon from the foundations disguise and deceit have created. The two roles define what the play is all about; because of the â€Å"wickedness† (A2 S2 L26) behind disguise and deceit, the outcome is both the themes of romance and comedy, which is what the play effectively revolves around. Shakespeare uses both ideas as the foundation to create the whole of the story, emphasizing both the drama and comedy involved.

Beauty Therapy Stone Therapy Assignment Brief Essay

Research the history and origins of stone therapy massage and how it may be incorporated with other therapy related treatments. Massage is one of the oldest forms of hands-on-healing known, people from virtually every culture have used a combination of touch, heat or thermotherapy and stones as therapeutic tools. The three main cultures, which have heavily influenced how modern-day hot stone massage has evolved, the Chinese, the Native Americans and the Hawaiians although Egyptian, Ayurvedic and many other traditional healing arts are also said to have used stones and heat. One of the first recorded uses of stones for healing was by Ancient Chinese a medical practitioner who regularly used various shaped stones known as Bian Stones to treat disease. The use of Moxabustion burning of the herb mugwort helped to add heat to these treatments. Native Americans are well known for their Sweat Lodges, which are similar to modern-day Saunas. The use of heated stones on the lower abdomen to relieve cramps was another common Native American practice. Most therapists who incorporate hot stones into their massage routine agree that the Hawaiians had a major part to play in how this form of massage is applied today. This is particularly true for Hahana Stone Massage. Customary uses included wrapping hot stones in leaves with certain therapeutic properties ti leaves and placing on sore muscles to reduce pain, like using a heat pack. . Modern-day hot stone massage therapy is a truly unique style of massage, has been gaining popularity through-out the world after being re-discovered in the United States in 1993. The story is that a massage therapist named Mary Nelson, who was suffering from repetitive use injuries in the shoulders and wrists, was having a sauna with her niece and which had stones in. Mary picked up some of the hot stones and started massaging her niece with them, she felt great. The first style of modern-day hot stone massages therapy was called ‘LaStone Therapy’. Almost every Spa in Europe, America and Australia  offers hot stone massage therapy on their treatment plans. There are a verity number of different styles of stone massage, hot stone massage and cold stone massage these can be incorporated into different treatments like body massage as a pre heat treatment to warm up the muscle to aid muscle manipulation, manicures placed in between the fingers, pedicures placed in between the toes, facials during the massage to aid lymph drainage over the face, sports or remedial massage to relieve muscle pain or tension in the muscle and Indian head massage to aid in relaxation. 2. Explain how you would prepare the treatment area for stone therapy massage taking into account the following aspects: heating, lighting, privacy, noise level, hygiene and finishing touches. When you enter the treatment room you should check the floor is clean and there is no oil spillages on the floor, if there is wipe up with warm soapy water and dry with paper towels, you should place clean bed sheet on the treatment bed, cover with clean towels and bed roll with modesty towels and a flannel available for wiping over the client feet at the beginning and end of the massage. The sides should be wiped down with surgical spirit, sink should be clean with hand soap available. You need to place an hand towel down or tissue to place the stone heater on, the machine should be clean and pat tested, a quick check of the wires and that the machine is in working order shouldn’t take more then a minute, all stones in the machine should be clean and oil free, you should have a bowl to fill the heater with water, the water should be level with the stones. You should turn the machine to pre heat for them to be at working temperature 55ï‚ °C for the treatment. You should pla ce a towel next to the machine for when you take the stones out of the heater, a bowl of cool water should be next to the towel ready incase the stone need cooling down before applying heat to the client, you should check the thermometer in the machine to see the temperature of the water, if the water is at working temperature change the machine to operating range to keep the stone at the correct heat. You would have a small bowl with tissue and a cotton bud in to patch test the oil the client has chosen. Tissue should be placed on the floor by the bed for when the client gets off the bed to stop then from slipping from any oil still on their feet. Heating: making sure the room isn’t to hot or cold for the client as to much heat can make client feel faint or even collapse, if the room in to cold the client may not receive the most of the benefits from the treatment and they may not fell comfortable. Lighting: there should be mood lighting or a dimmer switch to aid in relaxation during the treatment, as a bright light may cause the client to tense up and not relax which can ruin the experience for them. Privacy: the treatment should take place in a private treatment room so other client or therapist doesn’t disturb the client during the treatment so the client can relax and receive all the benefits of the massage. Some client can feel self-conscious about their body and a private room can make them feel comfortable and not exposed. Noise Level: there sound be no loud noises in or near the treatment room, relaxing music should be playing in the back ground to aid in relaxation but not to loud that it disturbs the client or any other client receiving treatments. Hygiene: all treatment room should be cleaned before and after client enter, the bed cover should be replaced with clean one, dirty towels should be placed into the wash with clean ones to replaced them, fresh bed roll placed on the floor and bed, sinks should be wiped down after every treatment, any oil spillages should be cleaned up with warm soapy water, bins emptied with fresh bin liners in, fresh clean dressing gowns in the room for client use, all side be wiped down with surgical spirit, all stone washed and dried after every treatment and stone heater cleaned after every treatment, therapists should wash hands before and after treatment, therapists should have excellent personal hygiene, sort nails free of nail polish, hair tided up, plain day make up, clean fresh uniform. Finishing Touches: to make yourself stand out you could place battery candles around the room, bath rose soap petals on the bed that the can take home  after the treatment, have an oil burner in the corner to have a relaxing and welcoming smell in the room, offer rose quartz water after treatment or herbal teas to complement the treatment. This will set you apart from other therapist as it is these things that clients remember about the treatment and what will bring them back in future and they will recommend you to friends and family 3. Describe how you would adapt a massage routine to suit the individual client’s physical characteristics to include each of the following: weight, muscle tone, age, health and skin condition. Every stone therapy massage is different as you would adapt the massage to suit the clients needs as everyone is an individual and have different problem areas needing more concentrating on or just having the massage to aid in relaxation, what ever the reason you would always be changing and adapting the massage in order to achieve the client outcome of the massage. There are many factors that could change the routine of the massage: Weight: weight of the client is a factor as this will determine the size of the stones, amount of oil needed and the area the therapist will be working on, you may find that people with endomorph body types maybe sensitive to heat and pressure but have good muscle tone as with someone with ectomorph body type maybe able to stand a lot of heat and deeper pressure. Muscle Tone: clients with good muscle tone will feel the heat off the stones in the muscle in which this will help eliminate any tension in the muscle fibres, younger clients tend to have better muscle tone than older clients as with age the elasticity in the skin and muscle tend to weaken in which when lying down you may not see a lot of muscle areas but more boney areas in which you have to be careful not to cause the client any discomfort as the massage is meant to be both relaxing and enjoyable. Age: age is a big factor in determining the pressure of the massage and the heat of the stones, younger client will have more elasticity and collagen in the skin which helps with the stone to stretch the skin and a smoother  gliding motion over the surface, they will be able to stand more heat on the skin and tend not to bruise from the pressure of the stones on the muscles, older clients have less elasticity and collagen in which during the massage the skin takes longer to go back during the massage in which the skin may bundle up and cause the client discomfort, the client may bruise a lot more easily and more quickly due to age and clients may be more sensitive to the heat from the rocks. Health: if the client is in good health they will and has a good diet stone therapy Skin Condition: 4. Describe in detail stone therapy massage techniques and how these may be adapted to suit your clients considering general body types, muscle tone and skin conditions. Body Types: Taking into consideration the clients body type, you may find they don’t have much muscle on their back if they have an ectomorph body, if they are mesomorph they will have defined muscles or if they are endomorph they may have a bigger frame but not a lot of muscle, client can fall into more than one of these categories, when starting the massage with effleurage you can manual and visually assess the client body type to get a good a idea of how much pressure you should apply during the massage although some clients with a small build may like a firm massage while others with a bigger build may not be able to handle the pressure. Muscle Tone: Effleurage: Effleurage is used for spreading the oil over the client’s body and warming the muscle and tissues, this technique is used to begin the end the massage. Begin with your hand and stroke with superficial effleurage along the area to be massaged first, this is a good movement to manual check the muscle  tone and skin condition of the client, while still doing effleurage pick up the stones and introduce the texture of the stone to the skin. Take care over bony areas and that you can do more transverse effleurage, down the body, working along the length of the muscle fibres. Stroking: A gliding stroke is often performed with the outer edge of the stone, which reduces the amount of pressure applied, and it is really useful for finishing the movement at a lymph node to aid drainage. Combing/ stripping: This is a deep, intense stroke using the stone on its edge, working the muscle along its entire length from its origin to its insertion. This helps pull the muscle fibres outward and removes tension, and is best performed when the stone has lost some of its heat, so use this after the first round of effleurage to create a deep release and stretch of soft tissue. Petrissage: Pressing and releasing of the tissue that you would achieve with the hands can be achieved with the stones either flat or for deep concentrated work using the edges. Though you do not have as much contact with the body as you do with manual massage and cannot judge the extra depth, which the stones give. These kneading movements can be very deep always be aware they can cause bruising, clients may think that pain is part of the treatment and that they must put up with it, there is a certain painful but relaxing feeling in having tension knots removed, it should not be continuously sore. The client should not feel tender afterwards, if they do this is a sign you are going too deeply into the tissue. Frictions: Frictions can be simulated with stones by using the edge of the stone, to give mild pressure for a soothing feeling or more concentrated pressure to stimulate the nerve endings. This will entirely depend upon the client, whether they just need tension released or deep tissue manipulation. Alternatively you may miss this movement out altogether if the client wants  to fall asleep. Piezoelectric effects or vibrations can be achieved with the stones very successfully. Vibrations can also be achieved by rhythmical tapping of two stones together creating sound – one stays in contact with skin while the other taps it at the top. This causes a transfer of energy to electrical vibration that should gently remind the client of the noise. This method is effective at removing tension knots. Stone placing: The stones are placed on or underneath the body, covered by a towel or sheet to prevent burning. Never place stones directly onto the vertebrae or placements before the massage, placement should be after the massage continuing the good relaxing work of the stones and keeps heat in the muscles. Holding: The heated stones can be held in the hands to keep the client warm during treatment or for any specific problems in any region. It is good to keep checking with the client that the stone isn’t to hot for them or burning their hands and keep referring back to the client to check that they are comfortable. 5. Research and explain two pre-blend aromatherapy oils used in stone therapy massage and the effects each blend will have on your stone therapy massage. Stimulating: is recommended for people who feel sluggish, tired and emotionally drained. The benefits and use of this pre-blend is used for strengthening the immune system, uplifting, relieves bloating and indigestion, helps with high blood pressure and asthma, ect. Essential oils: Lemon, Cedarwood, Juniper, Prunus, Citrus Peal, Peppermint and Juranium. Anti Stress: is recommended for people who feel stressed, used for stimulating the lymphatic system, helps reduces headaches, helps reduces cellulite, relieves aches and pains, helps reduce insomnia, respiratory problems, helps reduce panic attacks and anxiety, helps improve self esteem Essential oils: Sweet Orange, Sweet Almond, Lavender, Mandarin, Avocado, Weedjurm, Grapefruit, Petitgrain, Ylang Ylang and Margarin. The effects that the pre-blended oils have on the body when using with stone therapy massage, they will affect the body much quick and spreads though out the body much faster due to the heat stimulating the muscle fibres and blood circulation, the heat enhances the overall effect of the massage faster then manual massage as one movement with the stone massage is equal to ten movements with manual massage. Other benefits of pre-blended oils are: Dramatic improvement in general health and well being, increase in vitality, improvement in the colour and texture of the skin, positive effect on mood and thought, relieves stress, stimulates or soothes the nervous system, eliminates toxic waste from the skin and muscle system, stimulates blood and lymph supply, relieves muscular tension and warms the muscles. 6. Create a client information/after-care advice sheet, to explain the post-treatment restrictions, after-care advice and use of homecare products for stone therapy treatments. There are many physical and emotional benefits to regular stone massage. Stone massage will soothe away stress and tension, leaving you feeling peaceful, relaxed, revitalized and energized and it is becoming a very popular treatment, perfect for promoting a calm mind, balanced emotions, a stress-free body and for maintaining optimum holistic health. Stone massage feels wonderful and healing, it is relaxing and has a positive effect on the mind, emotions, nervous system, circulation and muscles. After your massage you will usually feel relaxed and be enjoying the benefits of the treatment, however to gain maximum benefit it’s a good idea to follow a few simple guidelines for at least 24 hours and preferably 48 hours after you receive your massage. Try to relax and avoid strenuous activity for the rest of the day Drink plenty of water and avoid alcohol, fizzy drinks and those containing caffeine Eat light meals and avoid heavy or spicy foods Avoid heat treatments (hot baths, saunas etc) Avoid smoking or cut down as much as possible Following your massage you may experience some of the following symptoms for up to 48 hours Aches, pains or mild flu like symptoms Stuffy, runny or blocked nose Heightened emotions Tiredness or fatigue Increased visits to the toilet Slight worsening of symptoms Irritable or weepy Increased thirst These symptoms are quite normal and are simply a sign that your body is going through a healing process so try to embrace them as something positive and know they won’t last long. Bibliography http://www.pearsonschoolsandfecolleges.co.uk/FEAndVocational/WorkBasedLearning/BeautyTherapy/Level3(NVQSVQ)DiplomainBeautyTherapy/Samples/Level3CandidateHandbooksamplematerial/Level3BeautyTherapyCandidateHandbookUnitB28.pdf

Developments of research on Alzheimer's Essay Example | Topics and Well Written Essays - 1000 words

Developments of research on Alzheimer's - Essay Example The relationship of neuropathological features of Alzheimer’s Disease to the emergence of cognitive deficits, is not fully understood currently. However, â€Å"the process that results in the accumulation of   AÃŽ ² as amyloid triggers the complex pathological changes ultimately leading to cognitive impairments† (Sun, 2007, p.40), known as the ‘amyloid cascade’ hypothesis. Lichtien and Mohajeri (2008) state that the high morbidity, socioeconomic costs, and lack of specific treatments indicate the importance of research on Alzheimer’s Disease. Evidence from Lichtien and Mohajeri’s (2008) research on the efficacy of anti-amyloid immunization strategies, indicates that they serve as effective protective mechanisms against Alzheimer’s Disease. However, the underlying mechanisms of action of therapeutic antibodies, particularly their impact on the complex amyloid ÃŽ ² peptide (AÃŽ ²) metabolism and various AÃŽ ² equilibria present both on the internal and external sides of the central nervous system, are not fully clear as yet. Moreover, physiological AÃŽ ² metabolism is not fully understood because of inadequate analytical tools to characterize and quantify treatment effects. Further, biomedical research is aimed at developing predictable therapies minimizing the risk of adverse effects such as brain inflammation and/ or hemorrhage caused by anti- AÃŽ ² immunization protocols. The researchers found that standard Enzyme Linked Immune Sorbant Assay (ELISA) protocols are inadequate in rational drug design, and there is a requirement for more complex analytical tools to be developed and applied. Tests ensuring greater reliability in the assessments of AÃŽ ² in free versus protein-bound form, as well as monomeric versus aggregated AÃŽ ², will be key to identifying the mechanisms forming the basis for efficacy and safety of the

Women's Suffrage Research Paper Example | Topics and Well Written Essays - 1750 words - 1

Women's Suffrage - Research Paper Example It was also considered inappropriate if women spoke in public or traveled alone. Women were trained to restrain themselves from pursuing any kind of education as it was believed that strong intellectual or physical activity would harm the reproductive system and the biology of the delicate body of a woman. Women were considered to be physically and intellectually inferior to men in the nineteenth century. "Women's interests were deemed to be subsumed in those of men" (Crawford 9). They were believed to be mere objects of beauty and desire and were supposed to be silent spectators of what was happening in their surrounding. Organized religion also added force to this belief of women being inferior to men as it preached stern and distinct sex roles. This inferior treatment of women gave birth to a political and economical reform movement hose motive was to extend the right to vote or suffrage to women. This movement was called the Women's Suffrage movement. "The suffrage movement was a major social movement, which at its peak absorbed the energies of hundreds of thousands and represented a vital extension of the democratic principle" (Scott 9). The movement first originated in the Eighteenth Century in France. New Zealand, which was a self governing colony of Britain, was the first country in 1893, to grant women the right to vote. ... However, some of these were not independent while the others had brief periods of independence. Though the right to vote did not apply to all women, Sweden is believed to be the first independent country to grant women the right to vote, where some women were actually allowed to vote during the age of liberty which was between 1718 and 1771. In Australia some women were given the right to vote in 1901, however this right was given to all non-native women in 1902. International law introduced voting rights to women in 1948 when the Universal Declaration of Human Rights was accepted by the United Nations. "Everyone has the right to take part in the Government of his country, directly or through freely chosen representatives" (Donnelly 167). The Convention on the Elimination of All Forms of Discrimination Against Women, which was adopted in 1979 by the United Nations, also clearly mentioned women's suffrage or the right to vote for women. Throughout the world in various countries at different times suffrage was granted to women. Women's suffrage was granted before universal suffrage in many countries, and women from a few social classes and races were unable to vote. Voting for towns and city assemblies and meetings was open to the heads of the families in medieval France and several other European countries, regardless of their sex. The Corsican Republic of 1755 had granted women's suffrage. The Constitution of the Corsican Republic stipulated a national representative assembly, both men and women over the age of 25 elected it. When France occupied the island in 1769, women's suffrage came to an end. In 1780s and 1790s the movements for women's suffrage is found in the writings of Antoine Condorcet and Olympe de Gouges, in France, who promoted this right